Good morning! As part of my work with FORM I’ve been privileged to write about many clever artists and jaw-droppingly beautiful artworks, including those by West Australian Indigenous artists. FORM has collaborated extensively with many established and emerging WA Indigenous art centres and artists and one of the ‘littlest’ art centres (in terms of newness) is Spinifex Hill Artists based in Port Hedland in the Pilbara. The group formed several years ago in an arts development project run by FORM and since then they have launched a handful of exhibitions and sell their work through regional markets such as the Port Hedland West End Markets.
I wrote a piece about one of Spinifex Hill Artists’ exhibitions back in 2010 and recently rediscovered it among my files, so I thought it was worth sharing – you can flick through the entire exhibition catalogue (including my story – Invisible Histories) HERE.
Spinifex Hill Artists also have their own blog – HERE.
*Catalogue images Copyright and courtesy of FORM; artworks Copyright the individual artists. Book design by Amy Moffatt.
Hello! It’s a breezy, humid Sunday here; the perfect kind of day to pop up a piece I wrote at the start of the year about one of my favourite West Australian painters, Larry Mitchell. His work is so meticulous and evocative and it perfectly captures the character of a place. I wrote this essay and produced the publication it lives in as part of my work at FORM - in fact this project was the last I worked on before having my baby – I worked on it from home in the latter stages of my pregnancy. The talented Sandra Elms designed the book and it was part of a stunning exhibition at FORM, Larry Mitchell: The Pilbara Project, and fantastic bigger project about Western Australian desert and outback life called The Pilbara Project.I’ve also included a few layouts from the book as a teaser (available from FORM).